On Location with Fiona Leitch

We’re taking another excursion on the theme of literary inspiration this week. Author Fiona Leitch takes us behind the scenes in Paris for a guided tour of her latest novel.

As a reader, I love books with a strong sense of location. If I can imagine the scene – smell the coffee, or the roses blooming, feel the breeze, hear the thrum of traffic or the waves lapping against a white sand beach – then I’m much more likely to invest in the characters and their journey; it feels like I’m there with them. As a writer, my books’ locations mean I can have fun! What better excuse for a holiday than ‘research’?

 My latest book, Falling in Louvre, is set (obviously) in Paris. It’s the setting for many romance novels, of course, but I’ve tried to include a few of the less obvious parts of the city, including places I’ve visited myself.

The Louvre museum plays a major role, as my protagonists Sylvie and Philippe both work there. Its most famous inhabitant is the Mona Lisa, who’s actually far smaller in real life than you’d probably imagine. Less well known is the Carousel du Louvre, the underground shopping mall directly underneath the museum, where Philippe goes to buy something for Sylvie. The mall also offers another entrance into the museum, which is a good way to skip the ever-present massive queue of visitors outside by the famous pyramid. 

One of the places that Sylvie and Philippe end up on their adventures is the Manoir de Paris, a haunted house tourist attraction set in a magnificent former ceramics workshop built in the 1880s. It originally stood cheek-by-jowl with the Saint-Lazare leper colony and prison, so the area has a colourful if rather macabre history – just right for a haunted house…

This in turn leads Sylvie and Philippe to a location that is even more spooky – the Paris catacombs. There is a 1.5km loop of underground tunnels, the last resting place of several thousand Parisians from the 18th century (and earlier), which is open to tourists and is an undeniably fascinating (if rather claustrophobic and eerie) place to visit. But then there’s the REAL catacombs, an estimated 320km network of ossuaries, abandoned quarries, sewers and tunnels that runs the entire length and breadth of the city, including the ‘lake’ (actually a water tank designed by the opera house’s architect in 1862, to contain groundwater rather than try to pump it away) under the Palais Garnier, which influenced the Phantom of the Opera story. It’s been illegal since 1955 to go down there, but it doesn’t stop everyone – there’s a whole gang of ‘cataphiles’, urban explorers who spend their time seeking out hidden tunnels, not to mention the underground dining clubs, illegal raves and others with purposes nefarious or otherwise… I really enjoyed visiting the ‘official’ catacombs, but I would give anything to go to a party down there. What an atmosphere!

A more romantic atmosphere can be found on the famous Pont des Artes bridge, which crosses the Seine near the Louvre, where scores of lovers have shown their devotion by writing their names on padlocks and securing them to the bridge as a symbol of their undying adoration; their names together, for ever more. Or at least until the city council come along and cut them off, which they do every few years. The last time this happened almost 40 tonnes of padlocks were removed!

Sylvie lives in some style in the 6th arrondisement, a very expensive part of the city, while Philippe lives with his mum in a tiny top floor apartment in Montmartre. One of his favourite places nearby (where they have a rendezvous in the rain) is the Sacre Coeur. The cathedral sits above the city on its hilltop, and the view from there is probably the best in Paris – better, even, than the one from the Eiffel Tower, as it actually has the tower in it! Who can blame Philippe for spending sunny afternoons there, reading his book on the grass, before wandering down into the streets below for a coffee?

I adore Paris. It’s a beautiful city, and it definitely puts you in the mood for love. I hope Falling in Louvre will make you fall in love with it too!

Buy link: mybook.to/Louvre (available exclusively on Amazon)

About Fiona Leitch

Fiona Leitch is a writer with a chequered past. She’s written for football and motoring magazines, DJ’ed at illegal raves and was a stalwart of the low budget TV commercial, even appearing as the Australasian face of a cleaning product called ‘Sod Off’. Her romantic cosy mystery series, The Nosey Parker Mysteries, is published by One More Chapter/HarperCollins, while her debut novel, ‘Dead in Venice’, was published by Audible as one of their Crime Grant finalists. After living in London, Hastings and Cornwall she’s finally settled in sunny New Zealand, where she enjoys scaring her cats by trying out dialogue on them. She spends her days dreaming of retiring to a crumbling Venetian palazzo, walking on the volcanic sand beaches of West Auckland, and writing funny, flawed but awesome female characters.

Social Media Links:

https://www.twitter.com/@fkleitch

Instagram: https://www.instagram.com/@leitchfiona

Facebook: https://www.facebook.com/fiona.leitch.1

Website: https://www.fionaleitch.com/

Amazon author page:  https://www.amazon.co.uk/Fiona-Leitch/e/B07HYZLQ57/ref=dp_byline_cont_ebooks_1

Many thanks to Fiona for taking part. Fiona’s books are great fun and I’m looking forward to reading about Sophie and Phillipes adventures in one of my favourite cities. I have very happy memories of Me and Mr T taking romantic walks along the banks of the Seine…

One Month On

After a few weeks with my feet up, I thought I ought to pen my own blog post this week. A Crisis at Clifftops has now been out in the big wide world for a whole month, and it seems a good time for an analysis/appraisal of how things have gone.

Success, no matter how small, should always be celebrated. I’m a complete technophobe but I managed to upload my book onto Amazon – woohoo! I’m shy and reserved, yet I’ve managed to convince people they’ll enjoy this book enough to want to download their own copy – go me! Seriously, I am totally chuffed at the response.

My book launch was low-key. I’m working on a very tight self-publishing budget, prioritising editing and cover design, to ensure I had a professional quality product. I knew I would have to publicise this book organically with no paid promotions, not even a blog tour. I knew sales would be limited, but if I’m honest they’ve exceeded my expectations.

A Crisis at Clifftops was never going to become an overnight Kindle bestseller, but we made it to the dizzy heights of being a HOT NEW RELEASE, and at one point it was sitting at NUMBER 3 in its golfing category, which gave me something to sing and dance about.  I apologise now to anyone who follows me on Facebook –  every time I post something I can hear a chorus of “there she goes again, banging on about her b****y book.” The thing about being self-published is that if I don’t bang on about my book, no-one else will.  I have to keep it visible.

We all know about Facebook algorithms which limit who sees what, and anything I post on Twitter always disappears into a void. I’m grateful for every re-tweet and share by friends who understand how hard it is for independent authors like me to reach a wider audience.

Goodness knows how many books have been published in the last month. A Crisis at Clifftops will soon disappear off the radar. It will settle somewhere low down in the Amazon charts.  I do get a little flutter of excitement every time I see it move up in its Amazon category. I know those BIG bestselling authors never have to check these things – Richard Osman would be in a constant flap, but for me, each flutter is special, even more so because I made it happen all by myself.

There was a time after the publication of my second book back in 2019 when I felt totally disenchanted and deflated with the whole publishing/writing thing. Seriously I could have happily never written another word again.  

However, this time round I knew exactly what I was capable of. I set myself different targets. In the last four weeks I’ve received some amazing reviews from readers and from within the writing community, together with messages and comments which have totally restored my confidence and made my heart sing! And yes, even more exciting, readers can cope with a heroine who plays sport for a living!

I know not everyone who buys the book is able, or will be willing, to leave a review. There’s a minimum spend requirement on Amazon, and to be honest I don’t review every Amazon purchase I make. It’s a crochet hook – it crochets. It’s already got 1000+ reviews it doesn’t need another one…

I dream of 1000+ reviews, but us writers are needy, fragile creatures.  I genuinely want to know if you’ve enjoyed what I’ve written. So if A Crisis at Clifftops has made you smile, provided a few hours of escape, let me know. (And don’t forget to tell your friends if you think they might like it too – there are loads of people out there who would benefit from having this book in their lives, if only they knew it existed…)

Meanwhile, The Puzzle of Pine Bay, Eliza Kane Investigates Book 2, is on its way. I originally intended to have everything ship-shape and ready to set sail later this year, but that’s not going to happen. Apart from the fact that the Christmas novel marketing deluge is already underway (yes I know, ridiculous right? I don’t even feel I’ve had my summer yet), my plot was far too complicated. I’d basically tied poor Eliza up in knots. It’s not exactly back to the drawing board, more an extensive unpicking (why do you think I bought that crochet hook?!) Seriously, Pine Bay will be out early in 2022.

Making the decision to self-publish was very much about taking control, not just of what I write, but about publishing under my own terms. I’m really pleased (and relieved) with how these first steps have gone. To everyone who has downloaded a copy of A Crisis at Clifftops, you’ve made me very happy. Thank you. And if you haven’t downloaded a copy yet, what’s your excuse?

On Location with Melanie Robertson-King

The miles are stacking up as we travel cross-country on our virtual travels, seeking out those inspirational book locations. This week Canadian author Melanie Robertson-King explains her unique and very personal reason for choosing Scotland as the setting for her debut novel.

I’ve noticed you’ve had some people choose Scotland as their location. Of course, that was my go-to as well, but I’m willing to wager my reason and connection to Scotland hasn’t been featured on your blog.

My father was born in the heart of Aberdeenshire between the towns of Insch (a Royal Borough no less) and Huntly in the parish of Kennethmont. He came to Canada as a British Home Child through the auspices of The Orphan Homes of Scotland after being raised there since his admission in 1917. I first visited both locations in 1993 and stayed at a farmhouse B&B in the Kennethmont area.

It was during this first visit that the seeds were sown, and ideas began to percolate. I changed the names of some of the towns/villages and the stately home to “protect the guilty.” LOL. Seriously, I knew the area well but giving people their privacy was the prudent thing to do. Insch became Duninsch – fitting since Dunnideer, and its hillfort overlooks the town. Kennethmont became Kendonald. Culsalmond became Williamsmuir, although it didn’t come into its own until the second book in the series. The farm’s name where my family lived in my novel and worked (actual name shall remain nameless) became Gordonsfield. And Wardhouse became Weetshill. The reason behind that is my father was born at Weets in Kennethmont parish, and some gazetteers referred to it as Weets, Wardhouse by Insch.

I deemed that other locations were far enough from the heart of the story that they could retain their identities (Huntly, Aberdeen City and Ladysbridge Asylum).

I’m not sure if it was the spooky ruins of Wardhouse mansion that started things, or maybe even the ghostly-looking trees on the road to the Picardy Stone. It was one of the two. There is a stone circle atop the hill at the farmhouse B&B, but I didn’t visit it on that first trip. But I did at least once before I started writing my debut novel and many times since.

I took this photo of Wardhouse mansion from the main road between Insch and Kennethmont in 2013. By this time, work on restoration had begun. At least removing the trees that were growing up inside this roofless hulk. I didn’t find out until years later that we could drive up there and wander around. You’ve got to love the Right to Roam. It wasn’t until September 2015, I got up close and personal with Wardhouse mansion, and I’m thrilled I did.

Isn’t it gorgeous? This photo graces the cover of the second book in the series. Not, only that but my grandfather was a tenant farmer for the Laird of Wardhouse. Pretty cool, eh?

The ghostly trees. Imagine seeing these on a moonlit night, the wind rasping through the leafy canopy. Send a shiver down your spine?

And let’s not forget the stone circle and the views from it. You can see Wardhouse mansion, the Ardmore distillery and of course, the farmhouse, barns and other outbuildings from it.

As a side note, I see faces in these stones. Once you see them, you can’t unsee them. 🙂

 With all this going for it, plus my familial link to the area, is it any wonder I chose Scotland as the setting for my debut novel?

About Melanie Robertson-King

Melanie Robertson-King has always been a fan of the written word. Growing up as an only child, her face was almost always buried in a book from the time she could read. Her father was one of the thousands of Home Children sent to Canada through the auspices of The Orphan Homes of Scotland, and she has been fortunate to be able to visit her father’s homeland many times and even met the Princess Royal (Princess Anne) at the orphanage where he was raised.

Follow Melanie at these links:

Website:  https://melanierobertson-king.com

Celtic Connexions Blog:  https://melanierobertson-king.com/wp02/

Facebook Author Page:  https://www.facebook.com/MelanieRobertsonKingAuthor/

Twitter:  @RobertsoKing

A Shadow in the Past – Blurb

When a contemporary teen is transported back in time to the Victorian era, she becomes A Shadow in the Past…

Nineteen-year-old Sarah Shand finds herself in Victorian Era Aberdeenshire, Scotland and has no idea how she got there. Her last memory is of being at the stone circle on the family farm in the year 2010.

Despite having difficulty coming to terms with her situation, Sarah quickly learns she must keep her true identity a secret. Still, she feels stifled by the Victorians’ confining social practices, including arranged marriages between wealthy and influential families, and confronts them head only to suffer the consequences.

When Sarah realizes she has fallen in love with the handsome Laird of Weetshill, she faces an agonizing decision. Does she try to find her way back to 2010 or remain in the past with the man she loves?

https://books2read.com/shadowinpast

Many thanks to Melanie for taking part.

On Location with Lynne Shelby

Continuing our armchair travels, this week we’re heading off for some well-deserved sunshine with my special guest Lynne Shelby.

I never know what’s going to inspire me to write a book. Very often it’s an overheard conversation on a bus or train, or a photograph, but with my new novel, Love On Location, it was the location – a Greek island – that inspired me before I had any ideas about the characters or plot.

I was on holiday on the island of Kefalonia when I knew that I simply had to write a book set in beautiful Greece. The off-the-beaten-track place where I was staying consisted of just a few typically Greek sugar-cube-style villas, each with its own turquoise swimming pool. Right next to a small rocky beach, with nothing to see along the coast in either direction, and reached by a dirt road, it was like a picture postcard. There was even a wooden table at the top of the beach, under an awning of palm leaves, which became my writing room, and sitting there, looking out over the impossibly blue Aegean to the horizon where the sea merged into the sky in a haze of heat, the outline of the story that eventually became Love On Location, began to take shape. When my heroine, Laurel, a screenwriter, and my hero, Jason, join a film crew on location in Greece, they stay in a villa very much like the one I stayed in, and Laurel writes her film script at the same table shaded by palm leaves where I started jotting down ideas about her story. 

The other island that inspired the location of the book is Santorini, another incredibly beautiful place, famous for its views over a sea-filled caldera, the remnants of a volcano that erupted three thousand years ago and gave the island its crescent shape. The first time I visited was on a cruise, with just one day ashore, but I found the landscape of sheer cliffs plunging into the sea absolutely stunning. A few years later, on an island-hopping holiday, I visited Santorini again and had more time to explore. When I came to write Love On Location, I wanted Laurel and Jason to see the same picturesque villages of white houses with blue shutters at the windows and cobbled streets, and the views of the caldera that I’d found so breath-taking. The island is also famous for its gorgeous sunsets, and watching the huge orange globe of the sun sink into the sea from a cliff-top village, I couldn’t help but think how I might write this romantic scene into a book. Santorini also has some fascinating ancient ruins – the remains of the city of Akrotiri – and a visit there inspired me to make my hero, Jason, an archeologist who is just as passionate about his work as Laurel is about the movies.

When it came to writing the first draft and choosing the island that would be the setting for Love On Location, I couldn’t decide between Kefalonia and Santorini, as both had places that were ideal for certain scenes in the book, but neither had everything I needed. In the end, I merged the two islands into the fictional Kyros. Not that anyone needs the excuse of research to visit the Greece, but after I’d written the book, I took another trip to Santorini, to remind myself of small details about the Greek islands that I might have forgotten, and the sounds and scents that do so much to create a sense of place.

I hope that in Love On Location, although Kyros is fictional, I’ve managed to convey the real atmosphere of an idyllic Greek island.

About Love On Location

When Laurel Martin is hired to rewrite the script for a new timeslip movie, she expects the historical advisor hired by the studio to be an elderly academic who won’t interfere too much with her writing. But when she meets Professor Jason Harding, a young and unexpectedly handsome archaeologist who has his own ideas about the script, she realises the job isn’t going to be as simple as she first thought.

As their work takes them from arguing over historical details in a cramped London office to discovering the hidden beauties of a Greek island, Laurel and Jason’s relationship starts to echo the romance of their script.

Will movie magic lead to a real-life love story?

Buy Link

Amazon.co.uk: Lynne Shelby: Books, Biography, Blogs, Audiobooks, Kindle

Website: www.lynneshelby.com

Twitter: @LynneB1

Facebook: www.facebook.com/LynneShelbyWriter

Instagram: lynneshelbywriter

Author Biog

Lynne Shelby writes contemporary women’s fiction/romance. She was first published when her debut novel, ‘French Kissing’ won a national writing competition. She has done a variety of jobs from stable girl to child actor’s chaperone to legal administrator, but now writes full time. When not writing or reading, Lynne enjoys visiting the theatre or exploring a foreign city, writer’s notebook, camera and sketchbook in hand. She lives in London with her husband, and has three adult children who live nearby.

Many thanks to Lynne for taking part and for giving us a taste of Greece. I think it would be hard NOT to be inspired by those wonderful views, and I’m sure I’m not alone in wishing I was there right now!